[PinkCast] Sayonara Zetsubou Pink Wota?

Posted by Vee | Uncategorized | Thursday 28 August 2008 11:53 pm

This was recorded and uploaded to my server about a month ago, right after I’d gotten rid of my LiveJournal and struck out to update PinkWota.com for the first time in earnest…but I sat on this and wanted to actually upload a few articles first. Geez, I’m all over the place here. In this intro, I mean, not in the PinkCast.

It’s themed. I showcase a bunch of songs from the Sayonara Zetsubou Sensei soundtrack collection. Well worth a few purchases, these soundtracks. Well worth watching, this series. But I go into all of that in the PinkCast. I can’t do everything for you, you’ll need to listen!

This also contains my “I hate negative blogging!” rant. And I mention how my new favorite member is Risa. Which is even more hilarious considering my last post, here.

Enjoy!

TRACKLIST

  • 01 x “Hito to Shite Jiku ga Bureteiru” x Ootsuki Kenji to Sayonara Zetsubou Shoujo Tachi
  • 02 x “MARIONETTE” x ROLLY to Sayonara Zetsubou Shoujo Tachi
  • 03 x “Kuusou Rumba” x Ootsuki Kenji to Sayonara Zetsubou Shoujo Tachi
  • 04 x “Zessei Bijin” x Sayonara Zetsubou Shoujo Tachi (DENIED!)
  • 04 x “Bon kyu! Bon kyu! BOMB GIRL x Morning Musume

PINKCAST 06

In conclusion: don’t be an ass.

P.S. I have a bit of an odd request. Does anyone remember the “Weird English Things That H!P Girls Wear” post featured on IW? I can’t even remember who wrote it, it was quite a while ago. Anyway, I desperately want to make a PinkWota.com header image out of the screencap of whichever girl it was who was proudly donning the rather disturbing lyrics to Nine Inch Nails’ “Eraser”…can anyone help me out? I WILL GIVE YOU CANDY. If you pay for it. I totally will, I’ll hand it right to you and everything.

[Speculation] A Brave New Mo-World

Posted by Vee | Uncategorized | Wednesday 27 August 2008 9:29 am

I realize that there hasn’t been much “prediction blogging” lately. This makes me sad. Not as sad as that one episode of Law and Order SVU where Stabler… Well, okay, there was that entire season where Stabler was kind of a whipping boy, but to point: speculation and crystal-ball gazing are dandy and make for some of the most entertaining reads in the blogosphere. Considering that, at least compared to 2007, H!P seems to be at its most stable, there is no time like the present to talk about things to come. Things I hope are to come. You know.

Oh, I’m only managing to eke out my plan for Morning Musume as of now. No elaboration on my hopes that Ayumi turns out to be a lesbian or else runs off with her guitar player, and not even word two on Maki Goto secretly being Ayumi’s still-gestating clone experiment. Just the Morning Musume article. I hope that doesn’t ruin your day. :’(

MY PLAN FOR MORNING MUSUME REVITALIZATION: A Filibuster, if you will

or – “Someone Fucking Graduates Again, Finally.”

Multifold PorpoisesEnough with the sudden additions! Enough with the new subgroups! Enough with Eggs popping out of every crevasse! Enough with the not even using the new talent you have. Tsunku, kick some people out. Here’s my grand idea. Ready? Go: hold some auditions, get some new girls. I mean actual singers this time, and ones who can speak Japanese going in. Preferably more than one or two girls, so as to create a melting pot of fan love/hate/ire/lament/lust/polarization. Stick to the original gimmick fer chrissake. Then, graduate both Takahashi Ai and Tanaka Reina (HOLD ON LET ME EXPLAIN). Make then an ongoing duo. High King, on their own. Since that’s pretty much what was going on, anyway. Saki and Maimi didn’t deserve the backseat, there. It was still fun. But Ai and Reina owned as a combination. I liked seeing both of them in that sexy, funky, sort of Destiny’s Child element (give me a break, I liked Destiny’s Child, ok?) Besides, every H!P fan I encounter seems to hate either Ai, Reina, or both (!?!?), and the amputation of them would serve multi-fold porpoises:

1) Haters of one and lovers of the other might, just might, reconcile.

2) Haters of both could finally STFU.

3) Kamei and Sayumi would become leader and sub-leader and MM would finally turn into a sugary, wryly humorous, sort of non-accessible wonderland of stoned-out partytime. I would so love to see Eri as leader, finally.

4) Maybe they might kiss? UFA seems to like that.

Oh, wait. I forgot about Risa. Sorry I forgot about Risa. Doesn’t everybody? Don’t take this to mean that I don’t like her. I really do! Especially after ‘Bon kyu! Bon kyu! BOMB GIRL’. But I want to see Kamei as leader so badly that I would even suggest fucking with tradition and letting THE ERI SHOW take over.

FROM THERE: Once Reina and Ai are touring to sold-out arenas and showing off their legs as much as possible, MM can restructure. Now, their first line of vocal defense is Kamei, Risa, and Aika. Hell yes, Aika. FUCK YOU IF YOU THINK SHE SUCKS. Did you listen to ‘Egao YES Nude’? JunJun and Sayumi will take care of the fanboy-bait contingent. Koharu can go solo, as the other member everyone hatesEveryone forgets about Risa (except me, and other drug enthusiasts. Or just enthusiasts of people who do a lot of drugs. I really apparently fall into this category if you look at my list of all-time heroes. Ayumi being the only exception. Maybe). Koharu is a fine idol (I think), and she’s infectious at concerts (I think), not to mention she’s hot as Hell when she’s trying (I think), but she just doesn’t fit into the current lineup of MM. This leaves LinLin. Maybe they can finally figure out what to do with LinLin Maybe some new members can draw the fan fire while she develops a persona that isn’t the idol equivalent of cold oatmeal?

ASIDE: You know, I realize that I said all that stuff about really disliking it when people get niggly and catty and bitchy with the hate in their J-Pop blogs, and now I’m sort of doing that. But I figure that if you don’t realize it’s all in fun, you lose this round anyway. I mean, this was supposed to be a fun new direction with Pink Wota. Maybe you just ruined that. Maybe. For the record, because I’m a pushover, I don’t hate anyone in H!P. Not even Takahashi. See, “wanting to punch someone in the throat” and “hating someone” are not the same thing!

Getting on with it. Now, Morning Musume seems to be pretty drama-free, don’t they? These days they also seem to be pretty boring, too. I’m not talking about their music, their shows, or their always-entertaining ridiculous wardrobe. I’m talking about the behind-the-scenes stuff. I’m talking about the interesting part of it. After the inevitable auditions, I want at least one diva to be added to MM. A new Fujimoto, if you will. Someone we’ll always sort of be holding our breath around, wondering what she’ll say or do next. Aika’s slightly-evil antics are amusing, but not nearly up to the “I will scratch your fucking eyeballs out I swear to God” intensity that Fujimoto had in her heyday. So, yeah, another bitch for Morning Musume, that would be lovely. They can’t all be relegated to Elder Club and the Kids.

Armageddon (dramatization)Now we’re working with a solid vocal base, a solid fan base, solid newmeat, a solid diva, and LinLin. Oh, I guess those songs should be improved, too. Morning Musume is so much fun when it’s experimenting. Bold new paths of musical forage cut through the J-Pop jungle, spanning genres and classification. Everything but rocking too hard, and Melon Kinenbi takes care of that (it would scare the wota, otherwise). Tsunku still hasn’t managed to lose his talent for writing lyrics, and he’s not a bad composer. In fact, I’ll bite and say he’s probably the best in pop right now. But, much as I like the arrangements on MM’s most recent releases, I’d gladly trade Daichi for a DANCE*MAN return. I know we’re talking about inventing a time machine, here, since he hasn’t arranged a MM single since ‘Souda! We’re ALIVE’, but the recent turn with Ongaku Gatas bodes well for those of us who hold out irrational hope. Keep in mind, though, I would ONLY trade Daichi for DANCE*MAN. Otherwise I think the songs are doing fine. Maybe something in between the blind poppiness of ‘Mikan’ and the sexy-sweet depth of ‘Resonant Blue’. Also, someone learn how to make fucking PV’s again, please. Morning Musume hasn’t had a PV to unite the fans coupled with a great song since Kanashimi Twilight, and that was more of a fluke just because the girls were all impeccably outfitted. It was still a cheap-looking, cheap-feeling PV. Build a set! It’s not that hard! You’re doing it for the Kids groups all the time.

The last stage is unfortunately impeded by a meteor crashing into Earth and wiping out 1/3 of the Earth’s population, also leading to Second Impact, but you get where I’m going, here. As long as MM can go out in a blaze of glory, I say.

Or they can just take the idol high ground, admit that the Kids groups have stolen the spotlight forever, and retreat proudly from the “flagship” group status. Yeah, like Tsunku would ever let that happen. “THERE’S NO BLOOD COMING OUT OF THIS TURNIP!!”

Wow, I just battled insomnia for many more hours than I intended. I didn’t spend all of that time writing this article, what do you think I am? I do important things. Like laundry. And makin’ some white rice for breakfast. Breakfast…OF CHAMPIONS. And LinLin.

[Review] Oh, we have new Berryz covers?

Posted by Vee | Uncategorized | Monday 25 August 2008 1:29 pm

What? We’ve got some low-quality previews of the new Berryz Koubou album covers? Bring it on! There are few things about H!P which I love more than my favorite Kids group. Those things include my other, real favorite H!P Kids group, Ohtani Masae’s hair, and JunJun’s thighs. You’ll notice I didn’t say Buono! (The Best Idol Group Ever), because Buono! isn’t technically part of H!P, dumbass. So any chance to spread the word of BK make fun of UFA’s costume designers/photographers is always a treat!

I will be rating each cover based on the most important factors to any BK fan. Enjoy, won’t we?

COVER NUMBER ONE – LIMITED EDITION

PROPER RISAKO PLACEMENT: 8/10 There she is, front and center of the largest group, holding a hideous pink hat of some sort that, thanks to the oversaturation of this entire photo, sort of blends into her onesie/jumper/dress thing. Fortunately, she’s sandwiched between Maasa and Saki, one of whom is the group’s true leader but doesn’t seem to care (thanks to the drugs), and one of whom is just the heavy who’s there to keep Risako in check in case she ever tries to break free from her exoskeleton and reveal the truth of her planet’s hostile Earth takeover. Still, something could be done about the way Risako is standing. The way that one leg is crooked up and Saki is leaning back a bit suggests that the photo was taken in full-on Amy Winehouse mode and a stiletto-induced spill was about to occur. Thankfully, Maasa is there. Thank you, Maasa, for being the Great Wall of Berryz.

AWKWARDNESS OF YURINA: 10/10 The light reflection on her satin top makes it look like she’s wearing an old tie-dyed Grateful Dead t-shirt, which is a shame considering that the real point of that top is to emphasize what tremendous boobs she has (relatively). This was obviously taken after fifty-seven other takes, as her cheeks are obviously cramping. But if we study the position of Miyabi, it becomes more likely that they feared for their mortal lives. That, or they were just giggling at Risako as she stumbled around drunk. And hey! Gloves are great accessories, aren’t they? I’m very glad Yurina’s gloves are showcased so well here, what with the inexplicably cut off bent arm and crooked wrist. Is that part of her shirt? It takes a lot of looking to get this one right, but I’m sure you all have nothing to worry about, there.

“THEY LOOK SO MATURE!”: 6/10 They look like a hastily-outfitted Perfume without the production value. I think that’s a rather lateral move.

USE OF SATIN: 10/10

MINNIE MOUSE HAIRDO: whut./whut.

THIS NOT BEING THE ‘IROPPOI JIRETTAI’ COVER: 7/10

CAN I GO STARE AT THE NEW ONGAKU GATAS COVER SOME MORE NOW?: Yes/Yes

CHINAMI TOTALLY BEING THE HOTTEST ONE ON THIS COVER: 10/10

COVER NUMBER TWO – REGULAR EDITION

YURINA’S SUNGLASSES LOOKING LIKE A SICKLE: 10/10 This pleases me. Yurina herself looks like a dominatrix demigoddess, and I couldn’t be happier. That’s a pose I’d like to see more often from her.

MISSING FEET: 5/10 Oh dear God, what monstrosity hast thou wrought, Tsunku? Maasa is missing a leg and Chinami is missing both her feet! You overbearing fuck, is this what they get for underperforming? No wonder they don’t get solos – they’re paraplegics!

HATS: 7/10 Risako’s is just plain boggling. But Saki’s makes up for that. Sort of. Maybe her tenure in High King has finally given Captain those long-needed ovaries of still with which she may usurp Risako. For my money, though, Chinami’s headband wins it all. I still don’t get how that thing Risako’s holding is a hat. Maybe it’s a balloon?

RANDOM SWIRLING COLORS AND SHIT: 10/10 Way to ramp up those production values, H!P. When I viewed the “LE cover”, which is just about as pleasing as cat vomit from a color standpoint, I thought there was an abundance of orange. Now I look at the full-body shots and realize that I was mistaken. There was just an abundance of unnecessary thick outlines. Really, though? Seriously? This is supposed to be an album cover? I’ve made better fliers for the Ballroom Dance Studio I worked for, on two hours’ notice using 72dps stock photos. It would look infinitely better with just the white background…no swirling colors. Just girls, girls, girls. Not even any words needed. Just…the girls. Fold-out softbox. I’d buy that album. Who am I kidding? I’m so going to buy this, regardless.

Perhaps the swathes of color are to distract from all the missing extremities.

MIYABI LOOKING COMPLETELY OUT OF PLACE: 9/10 She’s also whispering at you to buy Buono!’s new single. I will point out, though, upon seeing her full costume, that’s pretty smokin’. Not like Maasa. LOL Maasa.

3rd LOVE ESCALATION’S COVER WAS 1000x BETTER THAN THIS PIECE OF CRAP: 10/10 Agreed. Who said that? Wait.

I suppose Momoko is cute, too. Since I am contractually obligated to mention her, and the Minnie Mouse hairdo reference didn’t cut it.

OVERALL: The winning score goes to Unimaginative Title for an Album. It’s going with the Morning Musume gimmick and actually kicking a few pegs out from the bottom. “5 (FIVE)”? If they’re trying to be minimalist and classy, it’s not really working, and besides, they’re Berryz. Oh, well, not everyone can be The Best Idol Group Ever. Berryz are still okay. I suppose I’ll have to keep playing ‘Yuke Yuke Monkey Dance!’ over and over and over and over. I’d say go for the Regular Edition on this one, though. Seeing proof of Maasa and Chinami’s missing feet is priceless.

[Ranking] I Want Ayu to Keep Rocking Out

Posted by Vee | Uncategorized | Tuesday 19 August 2008 4:19 am

So, I scratched one of my ‘Do Before I Die’s off my list last week and went to see Nine Inch Nails live. What an experience. I promise this ties in to J-Pop. Wait for it! Didn’t you miss this from me, these seemingly endless jags of unrelated exposition? I’m out of practice, give me a break. Two breaks. Give me three breaks and we’ll see if I can at least get back on the IW page again, not that it’s my primary concern, but I would like people to know I’m back and relocated. Anyway, um, Trent Reznor and Co. (Josh fucking Freese ladies and gentlemen) melted my face clean off with a show that was nothing short of epic, and there I was two days later trying to write a review of Buono!’s new PV while just thinking “man, I really really really want to simply rock the fuck out, still”. So I turned back and back and back again to Ayumi. Now, there are about…oh…TEN Ayumi articles on my backburner. Half of them will be old news by the time I get around to writing about them, and the other half will still be stuff other people don’t care about. Whatever, Ayumi. Ayumi and Shena Ringo, that’s sort of where I’ve been for a week or so…

Vee’s Train of Thought:

1. Choo choo!
2. Ayumi is pretty hardcore.
3. I really like Ayumi BETTER this way.
4. I am so alone in that.
5. Chug chug chug chug chug!
6. Maybe I should try to justify myself! Yeah! YEAH!!!
7. *derails while watching the ‘Closure’ DVD*

So here you go. Let me see if I can get this Wordpress shit to work. I don’t know how to operate this thing yet, and at the same time I won’t accept any help. No, I’ll get it eventually. I just have to accidentally delete a few articles, fuck up my coding, et al. It’ll all come around.

This post looks like shit because I can’t get the hang of it yet.

In case you can’t tell yet, I intend to swear a lot more on here than I ever did on LJ’s Pink Wota.

AYUMI ALBUMS RANKING LIST

1. (miss)understood Sometimes I seriously think I’m alone in this. But fuck, man, what can I say? There is not a lackluster track on this album, there is not a track I cannot call up over and over again for any given mood. Ayumi’s voice, lyrics, composition, and band show the utmost range and depth here. How many different genres do we have going on, again? Let’s see…funk (’Bold & Delicious’), pop-rock (STEP You), Whatever The Fuck ‘Ladies Night’ is (0__o t-t-techno electronic indistrial rap what?), HARD FUCKING ROCK (’alterna’), ballads that put a knife in your heart (’HEAVEN’, ‘Will’, ‘rainy day’) or inspire you to keep going (’Pride’), something I’ve likened to ELO (’Are You Wake Up?’), just plain old angry Ayumi (’miss understood’, ‘Is this LOVE’), and by god two of the most uplifting tracks in her entire repertoire (’fairyland’, ‘Beautiful Day’). I love all the electronic tricks TA pulled in this album. Bleeps, bloops, grunging up the tracks at times, weird ambient sounds that sometimes made me want to hide under the bed. But the musicianship is still there in spades. ‘Criminal’? Fuck me with a guitar, Yoshio, that is amazing work. And the piano, brilliant. The orchestral arrangement of ‘Pride’ never fails to amaze. Seriously, there is too much to say. This album is priceless. The lyrics and the PVs accompanying this masterwork just add to the entire experience – how is ‘alterna’ not infinitely linked to the images from its PV, how are the lyrics of all these songs so despairing and raw at times, and so joyous at others? This is the album that, to me, IS Ayumi.

2. I am… This album is always the one I tell people to spin first, if they ask me “so what should I start with?” This album pretty much apitomizes Ayumi, although epitomizing Ayumi is a near-impossible thing. It does deliver the basis of her strengths as an artist, in my opinion, and doesn’t hold up any false expectations as any more experimental album would. Now, it seems to now that I’ve described reasons for ANYONE to like this album . Not entirely true; as a die-hard fan I appreciate it more and more with each passing year. It is grounded, it is self-aware, and, let’s face it, it was the first album Ayu helped to compose. The difference between this and the previous albums is astonishing. Tracks like ‘evolution’ and ‘UNITE!’ are immortal at this point, and to be frank most fans are sick and tired of them. How can you really be tired of a song like ‘evolution’, though? It is perfect pop/rock composition, going into the realm of EPIC. Even without the old standards, though, the sentimental favorites are what do me in with ‘I am…’. ‘NEVER EVER’, ‘Flower Garden’, and ‘Endless sorrow’ always get to me. OK, so maybe it’s not number one. But it’s still damn close.

3. Memorial address “You can’t rank the mini-album, it’s a mini-album, it doesn’t count!” Well, you know what, fuck you and your designations, this thing counts to me because without it we wouldn’t have had some of Ayumi’s best songs. This thing only ranks below these other two because it doesn’t have MORE songs. I mean, who didn’t jump back in his or her seat a little bit when first seeing/hearing ‘ourselves’ for the first time? (if you never have, go look up that PV on veoh. Oh, I’ll wait. Back now? Shall you change your pants? I’ll wait. OK, good to have you back). It was apparent with MA that our little girl was growing up. Suuure, we’d heard hints of her rockin’ identity before, but how could we have expected a mohawk and headbanging retinue taking swings at crosses for ‘Because of you’? And on the other hand we have THE two definitve Ayumi ballads, special to me for the most personal of reasons – the lyrics to ‘HANABI~episode II~’ and its accompanying PV are like my diary come to life, and ‘Memorial address’ was a song that will, for the rest of my life, remind me of my mother. That’s sort of sad considering that Ayumi wrote it in a state of anger, but it helps me through those angry moments of grief. To be frank, I can take or leave ‘No Way to Say’ and ‘forgiveness’, but the two pop tracks on here are two of my sentimental favorites. ‘ANGEL’S SONG’ has a long history, and ‘Greatful Days’ is pure fun. I can’t not include the mini-album. The mini-album is good. IT IS *YOU* WHO SHOULD INCLUDE THE MINI-ALBUM.

4. Secret Do you want to know when I started to dig ‘Secret’ to the bedrock? After I watched the tour DVD. I was basically forced into sitting through songs I had been ‘blah’ on before, and it turns out I sort of love them. Who knew? Still, there are a few fumbles with simple boredom. Promising studio tracks like ‘It was’ fall victim to boring vocal arrangements. ‘momentum’, let’s face it, gets old about two minutes in and you go to listen to ‘M’ for the 230th time instead. ‘JEWEL’ was better when it was ‘Carols’. Now, I don’t DISLIKE any of these songs. Which is why this album ranks so high. Songs like ‘kiss o kill’ and ‘1LOVE’ are definitive to Ayumi’s artistic development, in my opinion. ‘Startin’ is still one of her best straight-up pop songs, and it plays well on her more mature vocal style. ‘BLUE BIRD’, which I like to think of as ‘fairyland part two’, is just pure, sunny, fresh fun. It never doesn’t make me smile, unless I’m really pissed off and am predisposed to kick my CD player. I promise this doesn’t happen much, though. And, hey. I’ll never turn down the chance to watch the ‘Beautiful Fighters’ PV. But there’s something about ‘Secret’ that is cooler than any other Ayumi album – it has the most jaw-dropping instrumentals/interludes. ‘Not yet’ is brilliant as an intro. ‘taskinst’ is epic. ‘LABYRINTH’ is worthy of a classical set, and hearing the live rendition complete with Peco and Yoko’s backing vocals is chilling. I’m sort of miffed that there was never a ‘Secret Classical’ album released, but maybe avex realized that no one bought ‘MY STORY Classical’ except some crazy fangirl in Florida who was just curious. P.S. ‘until that Day…’. Nuff said. She head-bangs to that song when she performs it. That is enough for me.

5. MY STORY For the album that boasts my favorite Ayumi song of all time (’Humming 7/4′, and that’s not one I’ve flip-flopped on much. It’s been my ringtone for over a year. It’s sort of like a J-Pop ‘Pinion’ or something – anthemic, mosh-pit worthy, but without all the swearing. Hm. See, I shouldn’t be allowed near the keyboard at 2 a.m.), you’d think this would rank higher. It would if it weren’t for the fact that it’s a 7/10 split of an album – it just can’t win. Sure, there are jewels – ‘Inspire’, ‘GAME’ (Oh my fuck, ‘GAME’!!), ‘About You’ (way too underrated for the awesome song it is), My Name’s WOMEN (you want a feminist anthem?), and ‘Carols’ (which showcases her balladic vocals at their best, and also has some heart-rending composition). But there are a LOT of duds. ‘Honey’, ‘Replace’, ‘Winding road’, ‘Walking Proud’ – is there really any good reason for any of these songs to be over five minutes long? I even LIKE ‘Walking Proud’, but give it a rest after two choruses, please. There are some songs here, which, looking at the tracklist, I realize I may have only played a handful of times. ‘Liar’? Wow, I don’t even remember what that one sounds like! See, just..forgettable. Too much on this album is forgettable. Which is a shame. Oh, well, it still has ‘Humming 7/4′ and ‘GAME’, and that’s all I ask.

6. GUILTY Yeah, sure, I love it. I also “love” chicken salad, but I’m not going to eat it every single day. ‘GUILTY’ is strong for what it is, which is at least a plus. It is a strong album, all-around, but I don’t hear Ayumi taking any risks or breaking any new ground. There’s not much experimenting in this album. OK, OK, fine. I looked at the tracklist again – there is no experimenting. The closest we have is ‘Marionette’, which is killer and wins the album. Other than that, nothing new, more of the same. The same, however, is very palatable, and very enjoyable. I’ve kept my mouth shut a lot on this album, and that’s not because it’s bad. It’s just…it’s Ayumi’s 9th studio album. Even the cover art (chicken dress included) failed to blow me away. I just wasn’t feeling overwhelmed. Maybe it’s the place I was in. I don’t know. Well, actually, I do. I’ve given it several full listens since then. It’s pleasant. But it doesn’t grab you by the balls like ‘(miss)understood’ or the rest of the top five. It’s like the Rolling Stones now, when they try to be all edgy and rocking. Dear god, Ayumi, you’re not that old yet. Kick it up a notch, throw some club shows or something, mix it up.

7. LOVEppears This one might not have my favorite songs, but it has a metric ton of credibility going for it. Some of Ayumi’s best lyrics, some of DAI’s best compositions…vocals like whoa. It is what it is – a dance album. The weepy-weepy, cheer-up-emo-onna stuff waits for the end, here, and then there’s a wHOLE OTHER FUCKING ALBUM full of dance remixes just to cleanse your palate. While I’m still completely freaked out by blackface Ayumi on the cover of CD2, I have to say I can get behind LOVEppears. That said, I positively despise some of these songs. ‘P.S. II’, dear god, I cannot listen to that. ‘Love~Refrain~’? Is always skipped at the beach. Here’s an interesting thing – this album (remix CD included) always seems to cycle on my iPod at the beach, as if to TAUNT me into running out of batteries before I can even get some decent relaxing time. I’m not kidding, ‘LOVEppears’ has this little game going on with my iPod, and it’s against my head.

8. Rainbow This album doesn’t even HAVE ‘Rainbow’ on it, or else it might rank higher. It does show some…um…well, no, it really doesn’t show a lot of cohesion. It’s sort of a mess. But there are a lot of good songs! And there’s ‘independent+’! The cover and liner notes are fabulous. ‘Heartplace’ is a really great song! Aw, who am I kidding, I usually skip this album.

9. Duty ‘SURREAL’. ‘Duty’. ‘End of the World’. *tosses the rest of this album away* SORRY OLD-SCHOOLERS.

10. A Song for XX Sometimes I really just wish I didn’t have to ever look at this tracklist. I always go “What?” and scrunch up my face all weird because these songs, with the exception of the title track, ‘Trust’, and ‘poker face’, have never made any impact on me whatsoever. Ugh, just…Ayumi exists to me as a pop rocker, not a pop…popper? I don’t know, she needs Yoshio and Enrique and the crew to help her shine. She needs to be composing and arranging her own songs, and that’s when it gets interesting. That’s when it GOT interesting. I really, truly sort of hate this album.

Oh, by the way, I’m back.