[Video] 10 Years of Ayu Video

Posted by Vee | Uncategorized | Saturday 29 November 2008 4:13 am

I was feeling Ayu-happy the last couple of days, and I put together this epic video composed of clips from every Ayumi Hamasaki video (with the exception of most remixes – I don’t think those actually count – and the ‘I am…’ promotional clip) (am I the only one who thinks of Ayumi when seeing Beyonce’s new album ‘I am… Sasha Fierce’? I can’t help it. It’s too much of a coincidence. The ellipses and everything. I love Beyonce, by the way). The whole thing tops out at about 25 minutes, and because of YouTube’s time limits, and avex trax’s bitchiness about any videos of their shit popping up anywhere, anytime, I’ve decided to upload it to my Wordpress account. I hope you guys enjoy it. I didn’t put in any frills, any text, just crossfades.

If you’d like to follow the chronology or find out which video is which, check out + SEASONS +, one of my favorite Ayu sites of all time and an indispensable resource.

If I’m counting right, 72 videos are represented in the 25 minutes clip. AMAZING.

I had to compress a 25-minute video to less than 50MB, so the quality isn’t what I’d like, but it’s passable. :)

Ayumi Videography

[Review] I am thankful for GREEN

Posted by Vee | Uncategorized | Wednesday 26 November 2008 6:53 pm

I’ve been pretty obsessive in searching up “Ayumi Hamasaki GREEN PV” for the last couple of weeks. With her 44th single (with this AND a kick-ass 44th President of the USA, I might have to add 44 as a new lucky number…), “GREEN/DAYS” set to be released on December 8th, it only stood to reason that the PV would drop sometime around Thanksgiving. Somehow maybe a part of me that has been largely unimpressed with her latest videos (relatively unimpressed, that is) sort of didn’t want to see it. I love the song (let’s hear it for leaked previews), and I love the idea behind “1940’s Shanghai lavish epic production PV”, so I didn’t want to see the concept fall flat on its face. Like going to Paris for the “Mirrorcle World” PV when that thing could have just as easily been shot in Hoboken, NJ for all the scope it had.

Well, lucky for us, “GREEN” is a gen of a PV, and Ayumi hasn’t looked this good since the last time she did herself up in old-style glamour.

The boys are back – have I mentioned yet that I love Ayumi’s dancers and I adore the fact that they’re just part of the package? It helps that they look their parts. But my favorite part is probably the ever-gorgeous Midoring in the audience in a SUIT. I never got around to writing my review of C-ute’s ‘FOREVER LOVE’ PV, but the whole thesis of that was going to be “durr I love girls in suits”. It’s also good to see Ayumi recycling costumes. Oh, wait, that white thing just looks a lot like her headdress from the finale of Tour of Secret.

The reveal/chorus break with the red dress actually gave me chills. I’m in awe of this video, more or less. Plus, fan-dancing is always great.

The gender-bending in the video is tremendous. Check out how the guys are doing themselves up in the mirrors backstage while the girls chill out, smoking and dressed in suits.

AND THEN AYU AND MIDORING GET DOWN. Well, not really. This isn’t a Koda Kumi PV. But Midoring is still wearing a suit, and Ayu is still in that beautiful red dress, and there’s some wonderful dancing going on. Ayumi has a bevy of male dancers, and Shuya gets to grope her in nearly every concert performance, so it was a very refreshing change to see her give her most stunning female dancer the chance to be her ‘leading man’ in this PV. I’m…well, I’m speechless. The effect of the two well-trained dancers is sweet, operatic, and very graceful.

Now, all I’m asking is for a LUST/CAUTION remake starring Ayumi and Midoring. Is that too much to ask? OK, maybe it is. But think about it.

Giggidy.

[List] Obscure Hello!Project Song or 1980’s Japanese Video Game?

Posted by Vee | Uncategorized | Wednesday 12 November 2008 5:11 pm

Gonbee no I’m Sorry

Marine Sports!

Pirate Ship Higemaru

Cosmos Fighter

Hajimete no Rock Concert

Hyper Sports 1

Soul Hospital

Cosmos Biyori

BAD & BLUE

Sky Jaguar

Go Go Tokyo

Natsu no Yoru wa Danger!

Quiz Naniro Dreams

Come ‘on Mama

Sutsugyou TOP OF THE WORLD

[Eyecandy] [COVER YOU] is stealin’ mah bracketz!

Posted by Vee | Uncategorized | Sunday 9 November 2008 3:04 am

They’re here! They’re still only on eighth generation (marking a milestone in the MM album naming conventions, I’m sure…)! It’s their ninth album but I guess it’s not an “official” album since there’s no mention of the number “9″ and so that kind of cancels out my naming convention argument. Hm. Time to catch my breath. Moving forward! The covers and publicity photo for Morning Musume’s Aku Yuu tribute album, [COVER YOU] have surfaced. I guess the square brackets are part of the title. I approve. I’m a big proponent of square brackets, they make things look very neat and tidy. Maybe that’s just me. Maybe I’m the weird chick who contemplates how much cleaner square brackets look as opposed to parentheses. To go all geeky language fiend on you guys, I’d like to point out that square brackets are used to denote absent material, predominantly within quotations. Therefore I’m left to wonder if I can magically create some deeper meaning for [COVER YOU] as a message and not a pretty-looking, media-friendly title that will jump off the (hopefully) Oricon charts and make people go “hey what’s that there?” But probably not.

Oh wow, the colors. My head is spinning. It makes me happy to see that Morning Musume is finally relying on themselves again, and not on the pretty pretty costumes and dresses. I mean, look at them. This looks like a fully realized idol photoshoot full of distinct personae and happiness. It also looks like they might have let the girls get a few hours of sleep before this, because they’re certainly faked happy with less stellar results due to magnificent bags under their eyes. I’m calling this shot a winner. What say you all? Let’s look at the girls one-by-one…

Aika is not stunning me with the fuschia headband – I see her as more of an earthy spectrum, everything from whites and browns to greens. But, I suppose they remembered how well that plum-colored dress worked for her last fall and dressed it down a notch or four. The other unforgivable thing is the Goodwill sweater. I understand that they’re all meant to look like they outfitted themselves at a vintage thrift shop, but the point is making it look fashionable and uniquely modern. Aika’s not exactly doing that, but it’s hardly her fault. To be up-front about this, I blame all shortcomings on stylists. Moving over to Risa, it would seem that UFA’s boner for chopping off the hair of people who look stunning with long hair continues. I’m pissed over the loss of Risa’s hair, mostly because she’s inexplicably flanked me this year, running past Reina and Koha and Kamei and JunJun to grab my Top MoMusu Spot in this, the last quarter of the year. Way to go, Risa. Unfortunately, she gets sort of shafted in all these photos. The clothes are fine, I like the eclectic blend of colors and prints, but her hair is a royal mess and she looks consistently…off. When JunJun and LinLin are outclassing you, you’ve let your A-game slide. However, why do I get the feeling that there are about 900 shots in the photog’s camera with amazing shots of Risa, but unflattering shots of The Other Members? Oh, well. They can’t all be winners. Weird thing is, everyone is a winner here except Risa. Eh.

JunJun is a vision. I could really just leave it at that and you could all figure it out, but come on. The girl has come from her awkward, slightly-mouth-breathing poses on the covers of singles to this? That’s amazing, and she deserves a cookie. Yes, thaaaaat’s right, Junjun, eat the cookie, keep those thighs in luscious condition. Red is also a “wow” color on her. It makes me wonder what a bold, risky color would do for LinLin, who would probably be much more well-outfitted in some strong colors with some structured tailoring. Think Mari Yaguchi or Yasuda Kei. Like Kei, LinLin isn’t exactly going to win the Idol Beauty Pageant. I think she’s beautiful, but
you have to look at the company she keeps. When Koharu keeps knocking at the “hottie” door, and you’re obviously ninth in line (or eighth and fighting with Aika…sorry Ray), it’s time to fire your stylist and harness what you do have. In LinLin’s case this is a killer body and a dazzling smile. Keep the clothes simple and elongating. I’m thinking about clothes a lot lately, I’m sorry. Moving on…

Sayu is in another head-eating bow. I think she might really have a brain-nesting parasite living within or without her, and they consistently have to cover the thing with bows or gratuitous hairstyles. I don’t like these colors on Sayu. She needs something bright and unexpected to draw out her naturally rosy cheeks. Gawsh. But then, does anyone look good in pale lime green? D: Kamei, no surprise, is absolutely beautiful. Everything is in its place here. Her face doesn’t need any help. I remember the awkward, slightly-ugly girl from four years ago. Wow, how times have changed. A good hairstyle can do a lot for you. And also some dental work that may or may not be my imagination. Whatever’s going on, awesome for Kamei, and even better for us. I love her, guys. Ai-chan got the most flagrantly 70’s costume on the front row – possibly of everyone (though Kamei does seem to be rockin’ a traditional Pink Lady-esque look. And really, what can be said about Ai? This shoot isn’t a real departure for her. Same hair, same smile, same pose. We’ve seen this before…but with more flattering clothes. I kid because I like the clothes – the colors are nicely matched but not too matched. And oh, yes, clothes can be too coordinated.

Look at Reina. Reina, also with the same hair and pose and smile we’ve seen a million times. The tide is high to change it up, honey! I’ve seen your photobooks and I know you’re capable of more! See, the problem with this outfit is that it says “80’s” more than “70’s”, and not in the cool ‘Kanashimi Twilight’ way. It’s in that “you bought one BONGO outfit for 6th Grade Picture Day and decided to deck the whole thing out with matching hair ornaments, jewelry, socks, etc.” Girls know what I’m talking about. Coordination was our first sense of fashion independence, and it takes a long time to break out of the world of symmetry and think that maybe those orange pumps would look fabulous with that brown twill dress. NO YOU CAN’T DO THAT! Find brown shoes! Chill, it’ll work. You can do it! Maybe even try to BLUE strappy sandals! And Reina, we know you’re good for it. You’ll hit us back, gurl.

Koharu is a hottie. I’m going to be totally honest about it, now. I have become everything I despise. I’m looking at Koha and thinking “damn girl!” in the way that I never wanted to allow myself. She’s got this drama-club-chick-on-speed thing going on that totally gets my heart racing in a personal way. Her goofy smile has aged well since 2005. She’s filled out a bit…wait, if I keep going I’ll sound like Ray. This is his subconscious way of preemptive-striking me for that Aika slight.

And now, the covers themselves. Notice that everyone looks fabulous again except Risa, who manages a “Dude. Wait, what?” expression in both. Maybe she was going for a sexy squinty-eyed expression, but it didn’t work. With the messy hair and hippie clothes, it works less. Sorry, Risa. I do really like the symmetry going on here, though! Very nice! OK, wait, I’m sorry. In the first cover, Sayumi looks completely nightmarish. Never mind. *shudder* What IS that look?!?!

C.J. will really be pleased to see that Reina has apparently been made the leader of Morning Musume while Ai was conveniently filming that movie.

[Eyecandy] It Must be a Tradition Now!

Posted by Vee | Uncategorized | Thursday 6 November 2008 5:44 pm

With my own copy of Ayumi Hamasaki’s 2009 Calendar winging its way to me from Japan as we speak, as my only gratuitous J-Pop purchase of Q4, I’m compelled to do a quick rundown of the pictures from the inside of the calendar, as featured on (the leprous cesspool of the internet known as) Ayumi Hamasaki Sekai. I was not taken by 2008’s calendar whatsoever, if you remember my post on Pink Wota 1.0. Which is why I’m so thrilled by the pictures for this year. Where I’d thought that Ayu was perhaps over-compensating for her age with the washed out, over-photshopped photos from that calendar, this offering proves me very wrong. She looks alive, electrifying, and gorgeous beyond reproach. Let’s take a closer look…

THE COVER

The cover is not a winner to many on AHS, but I try not to listen to them. It’s like their endless nitpicks manage to physically deflate me. I like Ayu’s different pose here. She’s done standard and offbeat poses for a decade, so this sexy, intense facial expression is fine by me. Already far more mature, and far more beautiful, than the doll-like cover from 2008. Call it me, but I like her without bangs. Even if I LOVE HER with short hair, I much prefer Ayu with long curly hair rather than long straight hair.

JANUARY/FEBRUARY

Killer shoes, a natural expression, and the sort of fashion sense I expect from Ayumi. Unlike many of the 2008 calendar shots, there’s a depth to this photo – and all of the photos – that focuses on Ayumi and presents a story with the photograph. Posing awkwardly on a yellow armchair in the waves on an otherwise deserted beach wearing a pink polka-dot bikini? I can’t really think of a story to surround that one.

MARCH/APRIL

As I mentioned, I’m not a huge fan of the straight hair and bangs, but what surround the haircut here is far more important. Great makeup, great costuming all around. I love Ayu in this wa-loli and punk-kimono ensembles, like on the covers of the ayu-mi-x III and IV. Again, there’s not much to distract from the subject. Just a kickin’ rad red umbrella that’s drippin’ plastic hearts.

MAY/JUNE

Vegas, baby!!! Or, uhhh, Hong Kong? This is hands-down my favorite shot in the calendar. I love the background, the costume, the HAIR, and the legs. I wish we could see her shoes, but everything else more than makes up for that.

JULY/AUGUST

I seriously think those shoes are 1/10th of her entire height. Her hair is camp fabulous, and her pose suggests a Foxy Brown/70’s diva toughness. I love it, where normal I might not like “shapeless yellow poncho” shots. The greenery is a nice complement to the colors of the outfit, and they don’t swallow her. Success!

SEPTEMBER/OCTOBER

Eerie, isn’t it? almost like Ayumi got into Namie Amuro’s wardrobe. Again, the background is gorgeous and rich, but the photograph is still squarely focused on Ayumi.

NOVEMBER/DECEMBER

We’re in November of this year as I type. I can’t imagine what will have happened by November of 2009. I’ll come back and read this post a year from now and wonder the same question about 2010. If I’m not killed in a private battle with a velociraptor, which is my ideal death. Now, as for the photo. Every girl has bridal fantasies to her own extent and purposes. Me? Growing up I wanted to have be Stephanie Seymour in the Guns ‘n’ Roses ‘November Rain’ video, after replacing Axl Rose with…I don’t know, I didn’t have many crushes at age 9. Replace him with…maybe Will Smith? I really liked the Fresh Prince of Bel-Air. Anyway. This photo appeals to my basest instinct of lavish settings and sumptuous gowns. Oh, and way-too-much eye makeup.

All told, it’s a calendar that I, at 27 years old (and 28, which will happen next year. Good lord), will not mind having on my wall. It’s a triumph of fashion and photography as much as it is a showcase of my ultimate idol.

[Review] I suppose I should mention HANGRY & ANGRY

Posted by Vee | Uncategorized | Thursday 6 November 2008 1:05 am

As a longtime Yossie/Rika fan (I refuse to attach the word “shipper” to my adoration of those two, and how they interact…), the announcement of the HANGRY & ANGRY unit was something I greeted with equal parts trepidation and excitement. “Finally,” I thought, “UFA has its finger on the pulse of what they need to do.” Yes, the ladies are essentially nothing but marketing puppets, but isn’t that the way UFA usually bleeds through the mainstream cracks? Getting its records off of the H!P Store shelves and into the more public eye? This is a far cry from anything we’ve seen out of the H!P stable of talent…well, ever. I won’t lie and say my eyes didn’t bug out a little, that I didn’t need to warm up significantly to the idea of Yossie and Rika inhabiting these severe and over-the-top characters. Something about Rika being “ANGRY” doesn’t work so well in my mind (even taking the Sports Festival shenanigans and her infamous temper into consideration…she doesn’t seem like a dark goth queen any way you look at it…). Yossie fits nicely into the “HANGRY” model, probably because it’s such a nebulous concept in the first place. Really, I’ve been hither and thither in theater and acting and modeling, and if a director ever told me to “act hangry” I’m not absolutely sure I’d know what to do. Even knowing the definition, it’s not something you’ll look at and go “oh, that’s not hangry enough.” Have I rambled sufficiently about the hangry thing? Okay, I’ll give it a rest now. I’m not fond of the name of the unit. If I’m going to spout off made-up words, I’d rather they be pleasant on my tongue. Like “Viyuden”.

Before going any further, I’d like to point out to those who don’t know that hangry & angry was a Visual Kei band stumping for h. naoto clothing prior to this. So our lovely Yossie and Rika are, essentially, step-children of this enterprise.

Despite the obvious appeal of HANGRY & ANGRY with the Hot Topic/Gothic crowd (which I tend to look down upon, because, let’s face it. I was in the shit. Back in my day, we didn’t have ready-made counterculture clothing. Self-expression was something you made, man!!), and despite the bargain-basement marketing tactics (bad MySpace page and all! I’m biased there, though – I think MySpace pages are bad as a rule), I couldn’t wait to hear the girls together in this capacity. I was and am convinced that Yossie and Rika are magical, so I wasn’t particularly worried about HANGRY & ANGRY tanking. Still, tell me that something didn’t seem strange about this unit from the beginning. From the rumors of U.S. expansion which still persist with confirmation only through the MySpace page (now the rumor mill is professing a North American TOUR…if I’m proven wrong on this I’ll be happy, but it’s one of those too-good-to-be-true things), to the almost shady-seeming advertising (I know we shouldn’t expect the advertising budget of, say, Glico or Panasonic, but still), it was all a little strange. For a unit that departs so drastically from the proven UFA formula, going beyond even the comfort zone of TNX, it could be argued that this was a risk in every way. No one wanted to attach HANGRY & ANGRY to anything too early, lest the venture be a flop. But if that were the case, would an obvious endorsement have really been put into motion? Most of you have seen “celebrity endorsements” or “official spokesmen/women/ducks” fail over the years and die quickly, but this synergy seemed strange. Live-Action versions of dark, angsty plush mascots? A high-risk venture, maybe not in the financial way, but in the “credibility” vein. “Yes, I’m here to apply for the position. Yes, that’s right, Yoshizawa Hitomi. Mm-hmm. Well, yes, I was HANGRY, but I try not to talk about that too much.”

But it was the straw we clung to. “We” being those of us who cared enough about Yossie and Rika, especially in light of the recent “Mass Graduation/Burial” announcement, to follow HANGRY & ANGRY news with skepticism, hope, and maybe a little fear. I know that I scoured every news source at my disposal for proof of the many rumors floating around, but all I could find for the longest time was a few publicity photos, a bad MySpace, and speculation. Maybe…and this is a big maybe replete with my usual brand of reckless fancy…some of us transferred a lot of our Elder Club dreams to the only persistent thing we saw: HANGRY & ANGRY. Even if the girls were cut loose from their stable, surely the clothing line wouldn’t resign a brand new spokesduo. Fanciful, maybe, but there’s some common sense there. HANGRY & ANGRY are a thing to watch, and be excited about.

I’ve had the song on my iPod for a while as a LQ rip, and I’ve been in love with it. But it’s not a dutiful love. Not the sort of love I have for each successive new Buono! song, a situation in which the songs had better be gold or SO HELP ME GOD *shakes fist* or Morning Musume, who I swear planted a worm in my head that’s slowly eating at my sensory cortex. That said, maybe I’ve been brainwashed by J-Pop over the last seven years. But ‘Kill Me Kiss Me’, though derivative (overwrought/abused vocoder effect, tommy heavenly6 guitar riffs), is a new classic for the H!P fan. And it should be. If you don’t like the song, chances are that you’re just not into overwrought vocoder effects and angsty guitar riffs. But the simple fact that those two things exist in a song by Yossie and Rika is astonishing. Could we have predicted this a year ago? Definitely not this lady. I thought Buono! was tripping the progress fantastic with an actual band and no Tsunku-vocals backing them. But rock guitars and a throbbing bass rhythm can elevate any song, no matter how synthetic. This isn’t a pulpit for me to preach my music puritanism. I have no music puritanism – I think people who do are, essentially, douchetrucks. Yet I fly into a frothing rage when anyone mentions the genre “pop-punk” in a non-ironic sense. Oh, god, I can’t even write about it. We’re not going to go there. So, I’ll talk myself down by justifying it. HANGRY & ANGRY is like Duffy, in a way. I know it’s overproduced, I know it’s targeted at the demographic I don’t get along with as a rule, and I know it isn’t pure in any way, but for what it is – Japanese Advertising Pop – it’s smashing. It is not the sum of its parts that makes HANGRY & ANGRY sound awesome, it’s the fact that they (like Duffy) surpassed all those limitations to make something that most of my friends won’t hear and go “here we go with the J-Pop again” or “are they selling clothes?”

Kill Me Kiss Me

Which brings us to the PV. It’s difficult to foster those same reactions with a PV that practically attacks you with the business end of its marketing message. The budget is…negligible. The backgrounds look cobbled together from the lesser works of a first-year computer animation student. The “band” scenes are cute but laughable, even though the girls manage to strike some alarmingly awesome poses throughout. Somewhere Iida Kaori is smirking and saying “bitch please” (but in Japanese. I guess) over the way Rika’s treating that there gee-tar. Worst of all, the bad-Flash style repetition of the mascot characters makes this less of a PV and more of a ‘Powered by The Cheat’ parody of itself. Rika looks fabulous, and hardly ANGRY. Yossie is…Yossie being Yossie. She’s intense, she’s over-the-top, she’s beautiful. But for the uninitiated, she may be a little much with her dinner-plate eyes and strange expressions.

But it’s not Yossie’s crazy faces that ultimately make the PV a loser in my book. Nope nope nope. It’s a very specific factor: the lack of interaction. They could have been on separate sound stages, for all its worth. I want Yossie and Rika to be Yossie AND Rika, together in a unit. Not Two Young Ladies Who May Be Vaguely Aware of One Another in a Unit. So, while I can’t look a gift horse in the mouth, I will say I was left wanting. But I’ll promptly roll over and beg for more. Because it’s Yossie and Rika, and they’re going to rule the world someday. If not the world, then some corner of Shibuya, maybe. This would be a good start to that end.